'Slavery, Reparations & Our Future' (The Final Call UK/International Edition)

The Cover of The Final Call's United Kingdom/International Edition

The governments of Britain, France and the Netherlands are primarily being targeted to pay compensation to Blacks throughout the African Diaspora hurt and destroyed by what is commonly called the trans-Atlantic slave trade.

Dr. Ralph Gonsalves, prime minister of Saint Vincent and the Grenadines, has been at the forefront of the CARICOM effort. He was scheduled to be the keynote speaker at a recent U.S. reparations event, but was unable to make it. In his stead was Rhonda King, Saint Vincent and the Grenadines ambassador to the United Nations, and Professor Hilary Beckles, who serves as chair of the CARICOM Reparations Commission. Mr. Beckles, pro vice chancellor of the Cave Hill Campus of the University of the West Indies, wrote the book “Britain’s Black Debt: Reparations for Caribbean Slavery and Native Genocide.”

The trading of enslaved Africans lies at the foundation of the wealth inequality that exists not only in the United States but worldwide. The Western world was built through the work done, and profits generated by Blacks scattered across the globe and deposited wherever free labor was required by Europeans.

There has been some tacit and direct admission of wrongdoing by European nations in recent years: The British agreed to issue a “statement of regret” and award $21.5 million to surviving Kenyans detained and tortured during the Mau Mau rebellion decades ago. In 2007 to mark the 200th anniversary of the British prohibition of slavery, then-British Prime Minister Tony Blair “expressed regret” for suffering caused by Britain’s role in the slave trade. The Haitian revolution of January 1, 1804 effectively ended slavery in that territory, but the equivalent of economic sanctions was used against Haiti as a penalty for her successful efforts at throwing off the chains of slavery and colonialism. Following the January 2010 earthquake, then French President Nicolas Sarkozy reportedly acknowledged the “wounds of colonization,” and quickly approved a financial aid package said to include millions in budgetary support for the Haitian government.

Activists say a mere “statement of regret” will not be sufficient for the horrific trafficking and enslavement of Black human beings around the world.


The #NBA, L.A. Clippers owner Donald Sterling & the responsibility of Black athletes

Muhammad Ali
For those who missed it, the discussion Dr. Ava Muhammad & I had Sunday afternoon on WVON 1690AM dealing with the #NBA, L.A. Clippers owner Donald Sterling & the responsibility of Black athletes, is posted on the 'Elevated Places' Soundcloud page.

The phones were hot with people weighing in nationwide. Listen to it, give us your feedback and spread the word!  

John Carlos and Tommy Smith, 1968 Olympics
Mahmoud Abdul Rauf (a.k.a Chris Jackson)


‘Afropop’ special w/ Anthony Mackie brings plight of Haitian deportees to television in June

Hard time gets harder for legal immigrants with a criminal record deported from the United States
to Haiti; ‘Deported’ documentary premieres on the WORLD Channel on Sunday, June 8 during Caribbean Heritage Month

NEW YORK—“AfroPoP: The Ultimate Cultural Exchange,” the innovative documentary series of independent films on contemporary life, art and pop culture across the African Diaspora, returns to WORLD Channel during Caribbean Heritage Month with a special on the sad plight of legal immigrants deported to Haiti from the U.S. for legal infractions. “Deported,” by Rachèle Magloire and Chantal Regnault, makes its U.S. television premiere on Sunday, June 8, at 9pm ET/8pm CT/7pm MT/6pm PT. “AfroPoP” is hosted by acclaimed actor Anthony Mackie,  produced by National Black Programming Consortium (NBPC), and co-presented by American Public Television (APT).

Since 1996 and 2002, respectively—barring a one-year respite following the deadly Haitian earthquake of January 2010—the United States and Canada have each implemented a policy of repatriation of all foreign residents who have committed crimes on their soil. These infractions range from violent crimes to convictions for such offenses as driving while intoxicated or petty theft. “Deported” follows seven of these North American offenders as they return to Haiti for the first time since leaving as children to face an unfamiliar and hostile homeland.

The film exposes the heavy burden facing Caribbean and Latin American countries due to the forced “migration” of these immigrants—who often have no family ties and no support system in the new environment to help them re-integrate into society.
“With many deportees to Haiti having no family members there or knowledge of the native language and sometimes even being homeless, they often fight for barest survival,” said Magloire and Regnault, who followed the deportees for three years while capturing the anguish, anxiety and regret of their families left behind in North America. “We felt we needed to turn a spotlight on this practice as well as to educate young immigrants to the especially stiff penalties they can face for sometimes minor violations.”

“When immigration hits the headlines, rarely are people of African descent being discussed, yet U.S. immigration policies are affecting increasingly diverse black communities—a fact that is often overlooked both in the black community and on the national scene,” said NBPC Vice President and Director of Programming Leslie Fields-Cruz, who is also co-executive producer of “AfroPoP.” “We hope to shed light on often-forgotten people and on issues that should be a central part of the conversation on immigration.”

NBPC will also offer additional online programming in June surrounding the special. A series of Caribbean shorts will screen on NBPC’s website, www.blackpublicmedia.org. The first two shorts, together with “Deported,” are part of a three-part examination of immigration from the Afro-Caribbean perspective. These films include Kareem Mortimer’s “Passage,” in which a Haitian woman and her brother are smuggled on a fishing vessel to the Bahamas (June 2); and Lisa Harewood’s “Auntie,” which focuses on an often ignored side effect of migration: the disruption and heartache in the lives and relationships of the people left behind (June 16). On June 23 “Vivre,” by Maharaki, will screen. In this short, a teacher asks her class what they want to do when they grow up; while his classmates happily respond, Tom, a quiet 10-year-old boy, slips away. Rounding out the program on June 30 will be the documentary short “Small Man” by Mariel Brown, which follows an ordinary man of modest means who creates models, dollhouses and more in a small workshop in his home.

Along with WORLD Channel airings, APT will distribute “AfroPoP” to local public television stations nationwide in June 2014.


Anthony Mackie is an American television, feature film and stage actor. A graduate of the Juilliard School’s Drama Division, Mackie was first discovered playing the role of Tupac Shakur in the off-Broadway production “Up Against the Wind.” Shortly thereafter, he made an auspicious film debut as Eminem’s nemesis, Papa Doc, in Curtis Hanson’s “8 Mile.” His performance caught the attention of Spike Lee, who cast Mackie in the 2004 Toronto Film Festival’s Masters program selections “Sucker Free City” and “She Hate Me.” He also appeared in Clint Eastwood’s Academy Award-winning “Million Dollar Baby,” opposite Hilary Swank, Morgan Freeman, and Eastwood. Additional film roles include “We Are Marshall”; “Half Nelson,” with Ryan Gosling; “Night Catches Us,” opposite Kerry Washington; “The Adjustment Bureau,” which also featured Matt Damon and Emily Blunt; “Real Steel,” with Hugh Jackman; “Gangster Squad,” where he shared the screen with Sean Penn, Josh Brolin, Emma Stone and Ryan Gosling; “Pain & Gain,” with co-stars Mark Wahlberg and Dwayne “The Rock” Johnson; and “Runner, Runner,” alongside Ben Affleck, Justin Timberlake and Gemma Arterton. Mackie earned IFP Spirit Award nominations for his performances in Rodney Evans’ “Brother to Brother” and Kathryn Bigelow’s “The Hurt Locker.”

His theatrical credits on and off Broadway include “Drowning Crow,” “McReele,” “A Soldier’s Play,” and “A Behanding in Spokane.” Earlier, his Broadway debut was as the stuttering nephew, Sylvester, alongside Whoopi Goldberg in August Wilson’s “Ma Rainey’s Black Bottom.” He won an Obie Award for his role in Carl Hancock Rux’s “Talk.” 

Mackie recently joined the Marvel Comics family playing Sam Wilson/the Falcon in “Captain America: The Winter Soldier,” released in April.


[VIDEO] LOWKEY - 'HAND ON YOUR GUN' Challenging the Global Arms Dealers...

All music has a message. The question is....Is it a knowledge spreading life-filled message or a self-destructive anti-social one?

'Identifying the REAL Criminals'

“When plunder becomes a way of life for a group of men living in society, they create for themselves - in the course of time - a legal system that authorizes it and a moral code that glorifies it.” 
Frederic Bastiat, (1801-1850) French economist & author

“The Merchants were the great men of the earth; for by thy sorceries were all nations deceived” 
The Book of Revelation Chapter 18:23

“Benjamin is a ravenous wolf. In the morning he devours his prey. In the evening he divides the plunder.”
Genesis 49:27


New Book: 'Against Our Better Judgement' by journalist Alison Weir

I can't wait to get into this review copy of the book by journalist Alison Weir titled 'Against Our Better Judgement.' I just received it in the mail.

Her research is always very thorough. She isn't afraid to tell it like it is related to the Zionist factor and Israel's misdeeds.

Alison is the founder of the human rights group If Americans Knew and president of  The Council for the National Interest sponsors of the National Summit to Reassess the U.S.-Israel Relationship recently held in Washington, D.C.